New Romantic

Violens - descendents of New Romantic?


Basis of New Romantic, so devo, so funky. Spandau Ballet.





Japan - Ghosts - great synth and vibes



Grandaddy Bowie kills the scene.

Tomorrow Never Knows

Today I have been steeping in John Lennon and Brian Wilson. I have listened to Tomorrow Never Knows many times in a row now. The wikipedia page on this song talks about the interesting experimental procedures that were developed in the recording of this song, which apparently was never performed live because of the impossibility of repeating the song. Sounds like 2/3 of every Megachild song. Not that ours approach the greatness of the Beatles. Lyrical ifluences came from the Tibetan Book of the Dead, which is a really out there piece of literature and also the Leary et al. Psychedelic Experience.



The drum riff of "Tomorrow..." seems also to be repeated in the song "End of Music" by Ontario band Do Make Say Think (the riff converges on the Beatles riff a little after 3 minutes into the song).

I have been playing around with some vocal layering on Stair Bears (Bear Shoulders version). I go way off key and things break down in lots of places, but I think there are some interesting bits in it here and there. Working on my vibrato, but it would be awesome to hook up to a Leslie Cabinet like Lennon did. Plastic Soul, man, plastic soul.

I also recorded some things on my cellphone when I was attempting to fish. Then I chopped up some bits and rearranged and amplified and filtered some of it and added some vocal drone track. The song is called Moan You Snake Oil Salesman, a play off of a Blind Lemon Jefferson's song, "Black Snake Moan" and the anachronistic term for an exaggerator (sort of an abstract jab, I guess). I used a "helium voice" effect on one layer of vocal, which comes across sort of similar to the effect in "Tomorrow Never Knows" and the skipping crunchy static noise is similar to some of the stop that comes out in Do Make Say Think's label-mate Fly Pan Am. Here for example is Jeunesse Sonique.

REM - Crush with Eyeliner

I was just rocking out in the shower to the Megachild song Bannisters. I was thinking about how to lift this song back up... and then I started thinking about the early-mid nineties album Monster from R.E.M. This album provided ample anthems for my early high school years, although I remember that I ultimately traded the album with a friend in order to get my hands on Soundgarden's Superunknown. Although I still love that Soundgarden album (which also provides great anthems, especially "My Wave", which sticks in my head when I am surfing, and "Fell on Black Days" is a great song to sing along with on a long drive).

R.E.M. had already established themselves well before Monster, and some might even say that this album is not among their greatest works. It met with fairly great commercial success, as I remember, especially the single "What's the Frequency Kenneth?" Although there were a few mellow numbers on the album, there was a rocking fuzzy-reverbed & distorted guitar component that was characteristic of most of the album. "Crush with Eyeliner" is a song with a moderate tempo that exemplifies that guitar work, paired with some groovy bass work, and Michael Stipe's fun & bizarre lyrics.

I'm thinking that Bannisters could adopt a little bit of the sound from Monster, if our gear permits it.

Deerhunter Blog

The band deerhunter often leaves aural/visual goodies on their blog site. I really like the mix of music available for download you can get at this link. Esp. listen to the Beach Boys' Can't Wait Too Long (shows up about 42 minutes into the mix and finishes it up)

enjoy.

Energetic Crooning

To keep up with the different ideas around the song Stair Bears, here is a song from Arcade Fire. I like the persistent energy of this song, and I guess that the phrasing of my lyrics are largely substitutable for the melody of the song. It wouldn't be the first time that I write a song from the melody of another when its stuck in my head and I can't remember the lyrics of the original.

Keep the Car Running


Also, I mentioned in the earlier post that there was a vocal/keyboard refrain that was reminiscent of "Voices Carry".... it originally started as something a little bit more in the vein of Beach Boys, which has also been recaptured by bands like Animal Collective. Hear them croon with weird water/paper crinkling sound effects in this tune:

"College"

Obvious Connections. Black Moth Super Rainbow and the Velvet Underground

The end of "Stair Bears" turns into a synthed out, drummy, psychedelia fest, with vocals that are pretty Jim Morrison-y in yell mode.... the music is sort of like Black Moth Super Rainbow, but if we could regularly achieve such heights of synthed out drummy psychedelia fest, I would be... well... psyched.



The visuals at a BMSR show are reminiscent of Velvet Underground/Andy Warhol's Exploding Plastic Inevitable...

Strange Sources- Phil Collins, Hall & Oates, Iggy Pop

Simple bass lines. These could underlie the new Megachild song "Stair Bears". Stair Bears also has a nice keyboard refrain (it started as a crooning vocal refrain) that could give it another layer of hook. I think of it similar to the keyboard hook from a previous post by Slig.... "Voices Carry"

Phil Collins - Can't Hurry Love


Hall & Oates - Maneater


Iggy Pop - Lust for Life

Broken Social Scene and Jam Philosophy

Broken Social Scene provides hope and validity for the musical model that Megachild adopted. The band is composed of a rotating/shifting/fluid cast of men and women, often beardy scruffians of varying ages, and often teetering on the razor's edge of becoming overcrowded with sound.

Their songs seem to emerge from jams, which can tend to be... well... jammy. Often deliberately sticking with a riff for much, if not the entirety, of a song. They uncover the emotive core of their music readily, and to me evoke the robust realization of that nameless song you've been humming or singing inside for days and days.

I'm sure that the describes the creative process for a lot of bands, but it definitely seems to be one of the approachs of Megachild. Everyone has stored up their musical energy for a week or more and is ready to release. The best nights come when everyone has a musical idea to bring to the table and when everyone else clicks in to round out the sound.

Despite their tendency to jams, Broken Social Scene can deliver some tight sounds with pop hooks. Watch the embedded stuff below and follow links to get a sense of what their moods produce on a given evening.

The Ting Tings, Franz Ferdinand, and INXS

Just listened to the Ting Tings on World Cafe and enjoyed much of it. These songs are built with hooks, and while I like the wonky-naive chord of "Great DJ" (which sounds like something I would play), I really liked the surging rythym of "Shut Up and Let Me Go" the best. The surging hooky thing reminds me of "Take Me Out" by Franz Ferdinand.

Add in some breathy Michael Hutchence vocals (see "Devil Inside" and "The One Thing") and some sensual botanical allusions (a la Poi Dog Pondering) and you've got the roots of Megachild's "Horehound Honey".

Muscles, Beck, Dan Deacon, and Brad Neely

Here are some songs with synth and falsetto. Megachild has worked on a synth-pop falsetto song called Disco Wooden Spatula. It has a nice guitar riff and absurd lyrics about dancing to the choice of kitchen utensil.

First up is Sweaty by Muscles. I just discovered this song this morning. I first listened to the Shazam remix version, which is set to a video that highlights the amazing elasticity of the human face.

Link:

As you may have noticed in this cheerleader-chant, bumping fuzz-synth melange, the lyrics are both naughty and saccharine. That combination comes across as simultaneously sexy & grody in that version, but comes off more purely fun and hilarious when sung in harmonious falsetto and doofus voice in the original track, featured in the poor quality video/audio below. A better version of the audio and a more professional review of the song is provided in the link below the video (so if you can sink up the audio in that link with the youtube video, it provides a slightly better listening/watching experience).



Pitchfork review with good audio

The Pitchfork Review mentions Midnite Vultures era Beck. It wasn't something that I thought of at first, but the connection is pretty obvious now. Midnite Vultures was a great album, displaying the fun side of Beck before he got all grown up and serious in his latest albums. I couldn't find a good video for "Get Real Paid", which is the track that is probably most similar to "Sweaty in its bumpin synthedness. But "Nicotine and Gravy has a similar vocal mix with falsetto and droning, esp. coming to fruition at 1:45. The video embedding has been disabled, so just follow the link. Note the Warhol and Japanese Pop influences in both this and "Sweaty" videos.

Beck - Nicotine and Gravy

I love when synth uses cat sounds. Some may say it is overdone, but just like with cowbell, there is always room for more "Kitty Synth". Kitty Synth may have reached its artistic peak in the work of Dan Deacon and his "Crystal Cat". I really don't want to say much more about this, I just want to let the art speak for itself.



I missed seeing Dan Deacon play at the Whitney Museum in NYC last winter, and I am very sad that I missed it. I also realized upon this listen that Dan sings "Gonna get my face on" which I realized is connected (and either descended from, ancestor to, or independently derived) to China, IL, a short animated series by the musically talented absurdist/warped cartoonist/humorist, Brad Neely. The character sings the words, "Gonna get her face on, gonna get her din-din, gonna get her shoe-shoes), let me tell you she was my world".

Tweedy Van Lee Roth Weiland

Megachild has a new song that has more alternative names (3) than the number of times it's been played (1). It is tentatively labeled Tweedy Van Lee Roth Weiland, but might preferably be called Forget About Me/Looking for Abuse (1 title or 2). The Tweedy Van.... etc. is a reference to the sounds, esp. vocal sounds that I hear in the song. Wilco's Jeff Tweedy songwriting style inspired some of the lyrics and phrasing, esp. some of his more "rockin" stuff from disc one of "Being There". I may post a version of the Megachild song when we record a sensible demo of it.

In the meantime, here are some videos of the influences that I hear in the song.

• Wilco's "Monday & Outtasite (outta mind)" finale from Lollapalooza 2008
  
• Wilco's "Monday", I Believe this is from "I am Trying to Break Your Heart" nice guitar solo after the wolf whistle around 2 minutes:
• Wilco's fairly cheesy video for "Outtasite (Outta Mind)

There are vocal nuances in the new Megachild song that are, I'm sad to say, like loungier David Lee Roth/Scott Weiland. This is a little sickening, but not surprising. Just the product of my immature influences I guess. Weiland was the vocalist for Stone Temple Pilots and evetually the totally sucky "super-group" Velvet Revolver... sorry if you like them, but I was such a high school fan of STP and now I think that Weiland is a total disgusting washup. Here are some pretty slimy videos from Van Halen and Stone Temple Pilots. Enjoy.

• Stone Temple Pilot's "Sex Type Thing" Video:
• Van Halen's "(Oh) Pretty Woman" from Diver Down:

Dr Dog - The Ark

Update: See correction below and in comments. Also, go listen to Dr. Dog on "Morning Becomes Eclectic"

Just discovered this song and video via NPR's World Cafe and the blog of Kanye West. The music is psychedelic and guitar parts remind me of some White Album Beatles "Happiness is a Warm Gun" and Pink Floyd "Shine on You Crazy Diamond" from Wish You Were Here.

In "The Ark", I really like the spastic growl of vocalist Scott McMicken (oops- see correction in the comments, thanks to Lindsay), in the refrain that occurs late in the song. The imagery of this video pretty out there; still trying to explain the role of the guys spitting the seeds. They seem to be guardians or something.

According to Dr. Dog's website, they have a penchant for diminished chords and 3-part harmonies. I am a fan of the harmonies, but I haven't a clue about the chords. I tried to do some wiki-learning about diminished chords, but my ignorance can not be penetrated even by this new information.

There's some similar elements in the song "Easy Beat" which is from one of Dr. Dog's earlier efforts. Still Beatles-y, but also a little more Beach Boys.

Dr. Dog "The Ark" from Adam kurland on Vimeo.

Pavement - The Hexx and Box Elder

Pavement was the best band I never heard of while I was in high school. I didn't discover them until my buddy back in college put some Pavement on a mix CD during my last year of college. "Spit on a Stranger" was the first cut from Terror Twilight, the last album that Pavement put out. It was still another couple of years before I started dutifully collecting the other Pavement studio albums. I know that I can still see Stephen Malkmus perform if I find myself in the right place at the right time with enough money in my pocket. But I have forever missed the energy of an early Pavement performance. After sticking to a nearly strictly Pavement diet about 4 years ago, I weaned myself for a little while and have just been revisiting again. Blah blah blah on to the songs...

"The Hexx" landed on Terror Twilight. Here's a live recording of part of that song so you can get a sense of the sort of "preppie/straight guys go slightly punk and obtuse" style that Pavement was bringing in the late season of their game. Unfortunately, you don't get some of the crisp guitar elements that show up in the album cut, which I included in the next video below.

Here's the studio album cut, check out the echo-y guitar calls around 2:20, and the spacy-bluesy solo that starts at 3:35. It descends into distorted, rocky arpeggiating... and it's great for some supreme mellow air guitar sessions.


The other song I want to throw up on here is Box Elder, MO. This is from the early end of Pavement. Quirky lyrics and phrasing were a Stephen Malkmus hallmark from the beginning, but Box Elder had pretty straightforward lyrical content and straightforward rockiness was the musical vessel of delivery. Although the recording posted here doesn't quite do it justice (it's from a DVD commemorating the 10th anniversary of the album Slanted Enchantment) you can probably pick up on the simple but effective, quasi-epic-anthemic arpeggios and the dissonant, but not distorted guitar harmonics, which have a surprisingly hooky rhythm. You can also watch the happy-go-lucky seated frolicking of the early drummer Gary Young, who was eventually asked to leave the band for his constant drunken shenanigans that caused disruptions to performances.


This acoustic performance of Malkmus at the Knitting Factory from a couple of years ago give you the lyrics a little more clearly, and give you sense of the less abstract side of his songwriting. The verbal concepts and messages are mostly direct, but the casual non-sequitir or abstract image slips in now and then, too. Now that I've annoyed myself with my analysis, here's the video.

Old Grimy Songs

Hi. This is Old Grimy, and I'll now be posting to On Songs, picking up not necessarily where Slig left off, but wherever it is that music emerges from my mind through my fingertips and onto an electronic page where you can read, watch, and hear.

Bye for now

I'm going to take a long vacation from this blog so I can work on a new blog on Long Island moths. Thanks for viewing! Bye!

suxxors

amazon.com informs me that products labeled suxxors are also labelled:

abominable (1), adoption (1), ambulance chase (1), ambulance chaser (1), an act of mcarthurism (1), and shutup jack (1), anti religous (1), arsewipe (1), attack mouse (1), attention monger (1), authors who did not win peabody award (1), bad (1), bad authors (1), bad parenting guide (1), bad person (1), bad read (1), bad writing (1), bastard (1), biased (1), biased lies lies propoganda (1), bigot (1), bill oreilly (1), blatant lies (1), blind (1), books that should be burned (1), boring (1), brianboitano (1), bs (1), bugger (1), bugger off (1), bullocks (1), bullpoo (1), burns well (1), calumny (1), censor (1), chicanery (1), childish (1), childish name calling (1), closed minded (1), clueless (1), concerned parent (1), coprolagnia (1), coward (1), crazed and libelous screed (1), cruel (1), crybaby (1), debar (1), debarred (1), deceit (1), defamation (1), diarrhea (1), disbar (1), disbarred (1), divisive (1), doubt (1), draw and quarter (1), dumb (1), ego rant (1), egoistic (1), egomaniac (1), egotistical maniac (1), even more blatant lies (1), evil (1), examples for youthanasia (1), expensive firewood (1), falsified information (1), fear (1), fearmonger (1), ferret cage liner (1), firewood (1), fool (1), foolish (1), fraud (1), freemason (1), fud (1),... and 3 more pages of descriptors.

Woo Hoo!

Over the weekend, Wigan tied Tottenham Hotspur 1-1! They are now in 13th place with 5 points and 4 teams between them and relegation. I think there are three games left in the season. They are not out of the woods yet, but it could be much worse.

My top 3 videos

I haven't actually seen a lot of videos, since we didn't have MTV at home when I was a teenager. Nevertheless, in the intervening years several videos have been influential to me. Here are what would be the top three:

(3) "Pour Some Sugar on Me" - Def Leppard. The song is forgettable (and the audio in the clip is not great) but what I like about this video is that it captures all of the fun and excitement of playing a live show, from the beginning set up and sound check to the show itself.



(2) "Sabotage" - Beastie Boys

These guys capture the essence of 70s cop shows and also something trenchant about the urban environment. The characters are supposed to be funny but they are spot on for the imagery they are conveying in the video.



(1) "Been Caught Stealin' " - Jane's Addiction

This is a deeply absurd and wonderful celebration of strangeness, and of course a really good song.

Woo Hoo!

Wigan played Chelsea to a 1-1 draw! A last minute goal by Wigan in stoppage time tied it! Chelsea is the second place team in the Premier League and this dealt a severe blow to their championship hopes. Wigan is now in 15th place, 6 points out of relegation territory. Go Latics!

Toto

One of the turn-of-the-decade bands that enjoyed huge popularity but perhaps has not aged particularly, in the staying power of their music, is Toto. The band produced some really hooky rock/pop, that seemed to be heavily flavored by the art-rock trend of the 70s (e.g. Yes, Genesis). At the same time, they had some of the stylings of power rock (e.g. Triumph, Kansas) without actually being too metallic (see e.g. the Tolkein-esque art on their 1st and 4th albums).

The first song I heard of theirs was the very pleasant "99" (1976)



Of course I had heard "Hold the Line" (1978; it was and still is ubiquitous on radio) before and not really known it was them.

They had monster hits in the 80s with the massively overplayed "Rosanna" (1982), the sweet pop song "Africa" (1982) and the less well known "Stranger in Town" (1984).

Overall, an interesting band that had success in both rock and pop radio formats that was absolutely a product of their time.